donderdag 19 juli 2012

This Ice Age has lost its cool


Ice Age: Continental Drift: **/*****, or 4/10

Say what you will about the writers of the Ice Age films, in hindsight they're not afraid to admit the faults in their previous work. When Sid the sloth is visited by his family in the latest addition to the series, Ice Age: Continental Drift, he states 'we had an adventure with dinosaurs, it made no sense but it sure was exciting!' and he hits the nail on the head. That description fits the predecessor Ice Age: Dawn of the Dinosaurs perfectly, since it did feel rather nonsensical to have Ice Age mammals meet dinosaurs, but it did result in a decent amount of fun (though as a dinosaur fan, I could be biased in this opinion). Sadly, throwing yet another random element in the mix in the fourth entry into the franchise, pirates in this case, unfortunately backfires completely, leading to a rather dull series of events loaded with dirty jokes and preachy life lessons we would have preferred to do without.


Ice Age: Continental Drift picks up some time after the occurrences in Dawn of the Dinosaurs. Warning! Spoilers! Mammoth couple Manny (still voiced by Ray Romano) and Ellie (still voiced by Queen Latifah) are in the process of raising their daughter Peaches (Keke Palmer), who's hit puberty and proves to be quite feisty and headstrong. Like human teenage girls she's constantly irritated by her father's overprotection, and just wants to have fun with kids her own age, but needs to be accepted by them first. Her friendship with the cowardly but cute mole hog Louis (Josh Gad) makes that kinda hard, since everybody thinks little of him, but to nobody's surprise she'll eventually find he was always her best and most loyal friend to begin with, while the other teen mammoths are just a bunch of intolerant jerks. All very recognizable for teenagers, who undoubtedly will consider this film a Louis itself, since it's clearly aimed at a younger audience that still enjoys gags revolving around natural body wastes. Such an audience at least will not stop to think about the grotesquerie of a mole hog falling in love with a mammoth (interspecies romance? Eeewww!!).

Meanwhile, Sid (still voiced by John Leguizamo) gets a surprise visit from his family, a disgusting batch of smelly, unsympathetic characters that fortunately exit the film as suddenly as they entered it, but sadly leave Sid's grandmother (Wanda Sykes) behind, an extremely old and weathered sloth which soon becomes the target of every conceivable geriatric cliché, like Peaches provides the sterotypical teenager routine for this herd of prehistoric animals that have banded together over the last three movies to form an overly extended family, which in itself has become a narrative problem: there's now so many characters the movie can hardly accomodate them all into the plot (it's only running 94 minutes), which leads to many returning characters' involvement being reduced to bit parts, a few lines here and there. Fortunately the writers realized which characters remain the most important, namely the original trio of Manny, Sid and sabre tooth tiger Diego (still voiced by Denis Leary). And so the plot of the movie takes care of separating these three bosom friends from their family, tasking them with finding a way back to their loved ones to make sure the movie ends on a happy note. Unfortunately Granny tags along with them to make sure the writers' stream of lame smelly jokes flows uninterrupted.

The key to getting the story in motion is, as always, Scrat. Still the most beloved character of the franchise, his never ending quest for his nut and the usual catastrophes this leads to kickstart the continental drift of the title, splitting both the plot lines and the herd in two (our heroes and Granny on the one hand and the rest of the herd on the other) and once again keeping Scrat from attaining his seemingly simple goal, which continues the tradition of funny intermezzos this franchise has firmly established from day one, in which the squirrel continues his hunt for his nut, all the while enlarging everybody's problems because of his natural tendency towards causing major calamities in the process. His other talent, getting the best jokes, is also reaffirmed, as Scrat's appearances interrupting the main plot make for a sporadic hilarious moment in a movie otherwise filled with cringe worthy situations resembling attempts at humour, plus dreary moral lessons. The moment of calm the movie delivers when the protagonists are cut off from their family proves all too brief, as we witness one overload of characters being substituted by another in the shape of the pirate crew that forms the movie's main antagonist (not counting that darn nut). The notion of adding pirates to the franchise seems an attempt to capitalize on Disney's major successes with Pirates of the Caribbean, just a few years too late to successfully jump on that particular bandwagon.


The merry band of pirates are just as diverse a bunch of characters as the ones Manny, Sid and Diego just left behind, they're just a little less friendly. The ship shaped iceberg they set sail on the seven seas with is run by a giant gorilla named Captain Gutt (pleasantly voiced by Tyrion Lannister Peter Dinklage, who balances well between insincere politeness and ruthless villainy) running a tight ship over his scruffy looking band of buccaneers, which includes an obnoxious killer rabbit, a thick headed elephant seal (Nick Frost) and a sultry, seductive female saber called Shira (voiced by Jennifer Lopez), who is introduced to (romantically) spice up Diego's character a bit: not a bad idea considering the poor pussycat has had no interaction with his own kind since the first film of the series, and has since felt more and more like a redundancy character wise, with little development or purpose other than saving his friends from imminent danger every once in a while. Shira herself is a typical tough girl with a rough past, who would like a change in her life style but is afraid of being hurt again. Of course it will surprise nobody when she switches sides and turns against her captain, much to his chagrin. Captain Gutt is a fairly straightforward bad guy, uncompromisingly dominating his underlings, ruling by fear instead of respect: in this regard he's the polar opposite of Manny, the gentle giant running his herd with love and integrity instead. Of course both characters soon find themselves physically at odds, with Manny winning the first round, making Gutt swear vengeance against him and – oh woe! – his family. Unfortunately Gutt's reason for being a short tempered vicious villain remains unexplored, making him a largely one-dimensional character, except in his few interactions with Shira, sort of his surrogate daughter (more by abduction than adoption).

Escaping the clutches of Gutt the first time, our heroes (and Granny) continue their journey home, which leads to the occasional nod to Homer's Oddyssey, including a confrontation with Sirens, monstrous creatures with hypnotic powers out to lure animals to their death. Though adding references to classic literature (Coleridge's Rime of the Ancient Mariner is also hailed at least once) to the already chaotic mix at least results in a suspenseful scene like this, it's not enough to keep the movie from becoming tiresome and continuing to feel like a string of random events, except for the scenes centering on Scrat. Unfortunately some of his scenes have already been used in the movie's trailer campaigns, so these will feel overly familiar. In fact, it might be a better idea altogether from here on out to ditch the rest of the Ice Age gang entirely and keep producing theatrical shorts of Scrat chasing his nutty dream attached to other family movies, as used to be the tradition with the classic Looney Tunes sketches this squirrel's shenanigans were obviously inspired by. Scrat's adventures as a castaway on a tiny island, his own Siren encounter and him causing the downfall of Scratlantis (featuring a delightful little voice role for Patrick Stewart as 'Ariscratle') prove insufficient to carry the whole film, but could easily carry themselves on separate occasions. No doubt, this would clash with the studio's financial interests, even though it would waste much less of everybody's time.


Though the quality of both the story and the gags has deteriorated progressively since the first Ice Age film, the same cannot be said for the animation. Whereas it could be called more than primitive in 2002, in this day and age it looks absolutely marvelous, courtesy of a vast army of nameless pixel pushing desk slaves no doubt. It almost feels cruel to realize such an amount of work amounted to such a disappointing final product, as if the animation talents had better put their efforts to use elsewhere. However, Continental Drift does not beat Dawn of the Dinosaurs on the visual front, since it's largely a return to the well known territory of the first two films as far as character and landscape style is concerned. While Dawn of the Dinosaurs opened up a whole new array of possibilities provided by the lush underground jungle realm populated by reptilian/avian creatures, Continental Drift returns to the icy vistas inhabited by furry mammals, its only addition numerous wide seascapes of water, water everywhere. Though adding dinosaurs to the franchise seemed silly from a narrative perspective (it was, really), it succeeded wonderfully in adding grandiose new environments and creatures to the whole, making it the most original movie of the bunch from a visual point of view. In every regard, be it in terms of story, humour or characters, the top of the franchise has clearly been reached before, and Continental Drift as such only goes over it, speeding downhill, snowballing its plot and gags to lower depths as it nears the end of 94 minutes of excrement jokes, pirate lunacy and worn out, tiresome family values involving sticking by your faithful friends and trusting in fatherly love.

Even though it's clear by now the writers are out of original ideas, the current box office results for Ice Age: Continental Drift will undoubtedly pave the way for a fifth addition to the franchise. This time, with aliens. Why? No reason. It makes no sense, but it might sure prove to be exciting! Or maybe the writers will admit to themselves there's little more to add to this Ice Age and finally melt it down for good. Ice Age: Extinction... sounds good, after this letdown of mammoth proportions!

And watch the trailer here:

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